![\"\"](\"http:\/\/mhalukyalcinkaya.com.tr\/wp-content\/uploads\/2026\/03\/Kirilgan-2026-27x27-cm-5-gr.-Japon-kagidi-uzerine-murekkep-27-adet-Fragile-2026-27x27-cm-ink-on-5-gsm-Japanese-paper-27-pieces_-300x272.png\")
<\/p>\n<\/p>\n
<\/p>\n
Filiz Piyale Onat\u2019\u0131n \u201cOmorika\u201d adl\u0131 sergisi, k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde, 10 Mart-12 Nisan2026 tarihleri aras\u0131nda Decollage Art Space\u2019te izleyiciyle bulu\u015fuyor. Filiz Piyale Onat\u2019\u0131n
\npeyzajlar\u0131, manzaray\u0131 yaln\u0131zca estetik bir g\u00f6r\u00fcnt\u00fc olmaktan \u00e7\u0131kararak yaln\u0131zl\u0131k, yokluk ve
\ninsan\u0131n do\u011fal d\u00fcnyadaki de\u011fi\u015fen konumu \u00fczerine d\u00fc\u015f\u00fcnmeye davet ediyor.
\nRomantizm, \u00c7in peyzaj resmi ve sanat ile ekoloji aras\u0131ndaki \u00e7a\u011fda\u015f tart\u0131\u015fmalardan beslenen
\nFiliz Piyale Onat, dinginlik ve tefekk\u00fcr \u00fczerine kurulu bir g\u00f6rsel dil geli\u015ftiriyor. Bulan\u0131k
\nyans\u0131malar ve sade kompozisyonlar, bo\u015fluk ve meditatif duraksama \u00f6ne \u00e7\u0131karak izleyiciyi
\nhem d\u00fcnyan\u0131n mevcut durumu hem de kendi i\u00e7sel manzaralar\u0131 \u00fczerine d\u00fc\u015f\u00fcnmeye
\ny\u00f6nlendiriyor. K\u0131r\u0131lgan ve minimal sahnelerde izleyici, do\u011fa ile insan ruhunun kesi\u015fti\u011fi zihinsel
\nalanlarda dola\u015fan bir gezgine d\u00f6n\u00fc\u015f\u00fcyor; b\u00f6ylece i\u00e7sel ya\u015fam ile ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7evreler
\naras\u0131ndaki hassas ba\u011f g\u00f6r\u00fcn\u00fcr h\u00e2le geliyor.
\nDecollage Art Space\u2019te ger\u00e7ekle\u015ftirilen \u201cOmorika\u201d sergisinde sunulan bu yeni \u00fcretim
\ns\u00fcrecinde Onat, do\u011fa tarihi ile ki\u015fisel haf\u0131zay\u0131 i\u00e7 i\u00e7e ge\u00e7iriyor. Seri, hem Omorika a\u011fac\u0131ndan
\nhem de sanat\u00e7\u0131n\u0131n eski Yugoslavya\u2019daki b\u00fcy\u00fckannelerine ve b\u00fcy\u00fckbabalar\u0131na uzanan, daha
\nsonra \u0130stanbul\u2019a zorunlu g\u00f6\u00e7le devam eden aile tarihinden ilham al\u0131yor. Botanik ve insani
\nanlat\u0131lar\u0131n bu kesi\u015fiminde, k\u00f6k salma ile yerinden edilme, dura\u011fanl\u0131k ile hareket ayn\u0131 peyzaj
\ni\u00e7inde bir arada var oluyor.
\nDidaktik anlat\u0131lara ba\u015fvurmadan sergi, \u00e7a\u011f\u0131m\u0131z\u0131n en yak\u0131c\u0131 meselelerinden biri olan g\u00f6\u00e7
\nkonusunu ele al\u0131yor. \u0130ncelikli ve d\u00fc\u015f\u00fcnsel peyzajlar arac\u0131l\u0131\u011f\u0131yla \u201cOmorika\u201d, izleyiciyi hareket,
\naidiyet ve insan ile do\u011fa ya\u015fam\u0131n\u0131n ortak ritimleri \u00fczerine d\u00fc\u015f\u00fcnmeye davet ediyor.
\n\u201cOmorika\u201dda Filiz Piyale Onat, sessiz ama g\u00fc\u00e7l\u00fc bir g\u00f6rsel dil arac\u0131l\u0131\u011f\u0131yla ki\u015fisel olan ile
\nevrensel olan\u0131 bir araya getiriyor. Do\u011fan\u0131n g\u00f6\u00e7leri ile insan hik\u00e2yelerini ili\u015fkilendiren sergi,
\naidiyet, uyum ve de\u011fi\u015fim \u00fczerine d\u00fc\u015f\u00fcnmek i\u00e7in alan a\u00e7\u0131yor. Peyzaj, haf\u0131zan\u0131n bug\u00fcn\u00fc
\n\u015fekillendirdi\u011fi; ki\u015fisel olan\u0131n politik anlamlar kazand\u0131\u011f\u0131 ve s\u00fcrekli de\u011fi\u015fen d\u00fcnyadaki yerimizi
\nyeniden d\u00fc\u015f\u00fcnmemize olanak tan\u0131yan bir sorgulama alan\u0131na d\u00f6n\u00fc\u015f\u00fcyor.
\nGeleneksel malzemeler ile \u00e7a\u011fda\u015f estetik anlay\u0131\u015f\u0131 ustal\u0131kla bir araya getiren Filiz Piyale Onat,
\n\u00e7izim prati\u011fini yeniden canland\u0131r\u0131yor, resmin ifade olanaklar\u0131n\u0131 geni\u015fletiyor ve peyzaj
\nsanat\u0131na yeni boyutlar kazand\u0131r\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Filiz Piyale Onat\u2019\u0131n \u201cOmorika\u201d adl\u0131 sergisi, k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde, 10 Mart-12 Nisan2026 tarihleri aras\u0131nda Decollage Art Space\u2019te izleyiciyle bulu\u015fuyor. Filiz Piyale Onat\u2019\u0131n peyzajlar\u0131, manzaray\u0131 yaln\u0131zca estetik Devam\u0131n\u0131 Oku<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[67,65,66,68],"class_list":["post-438","post","type-post","status-publish","format-standard","hentry","category-guncel","tag-cin","tag-filizpiyaleonat","tag-marcus-graf","tag-resim"],"aioseo_notices":[],"views":39,"_links":{"self":[{"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=438"}],"version-history":[{"count":2,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/438\/revisions"}],"predecessor-version":[{"id":441,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/438\/revisions\/441"}],"wp:attachment":[{"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mhalukyalcinkaya.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}